Rachel Profiling

Hello, I'm Rachel.

Writer/editor. New Mexican tumbleweed blown east to skyscraper country.

Right now, I am working on a book about F. Scott Fitzgerald, Sheilah Graham, and Hollywood in the 1930s. It will also contain a lot of drinking, powder blue suits, dances at the Cocoanut Grove, betrayal, gossip columns, crazy ladies, secret Jews, film lot moguls, and Dorothy Parker quips at funerals. If the world is still around then, it should be out from Random House around 2014. So let's hope the Mayans were wrong.

If you want to say hi please do. Or find me in short form, here.

Luc Sante, still one of the best writers on old and new New York. His blog is here, but Low Life is really where to start. 5.5% unemployment in the country, and people are saying NYC might get scary again in a few years. Not that this is a good thing (I’ll never go on record as wishing crime on any place), but there’s something to be said about that feral look city dwellers must have shared on their late night walks in 1986—that holy shit look, the look that meant you were either going to go home and create or zone out or pour scotch or dance around naked because you survived another day in the city and you can now do whatever you damn well please. It wasn’t the freedom we have now, but it was a different kind of release—or at least I imagine.

Days so hot they make your knees sweat only serve to give me borrowed nostalgia, I think. Stoops and bass beats and pomade and cherry cola. So forgive my summer-addled brain.

Posted at 6:57pm.

Anyway, outsiders naturally find their ground in New York. It’s a place that’s accepting of very, very wide margins of identity and behavior. It’s certainly an important testing place too. In a way, it was more so in the recent past when it was considered so dangerous that I knew people that lived 40 minutes away in New Jersey and never set foot in the place. They were just scared. They figured they’d be killed. There’s an early novel by Don De Lillo that conveys that sense very well too — Great Jones Street — in which the characters are constantly saying, you know, “Look at us. We live in New York. Putting up with what we put up, we can eat glass. We can punch our way through bricks. This is because we live in New York.

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