I visited Erica’s studio in Brooklyn this weekend and we had an amazing chat about the nature of photography in 2008, especially about the need for a sense of memory in contemporary pictures. Erica is one of those photographers who has drawn from years of other’s work; she has cluttered stacks of Diane Arbus, Juergen Teller, Kertesz, Cartier-Bresson, books and books and books. There is a real old soul quality to what she does, and it comes from not following trends but trying to dialogue with the work of her forbears. She showed me a new set of gelatin prints she is working on; gorgeous. You’ll be seeing a lot more of her this year.