I was fortunate enough to go to a screening of Still Bill this week at IFC, where the seriously charming Bill Withers himself gave a Q&A afterwards and doled out such wisdom as “trust your feelings, and take advantage of your virility” to a young man wanting career tips. The film stops showing on Tuesday, but the filmmakers have made it possible to screen it yourself for just the cost of shipping. I’d recommend it; it’s a great film, and not just for those who love the sweet stylings of Bill in his mock-turtleneck era. It’s a calm, honest, compact portrait of an artist, down to what it means to walk away or to be depressed by a thing you created for yourself, but has shape-shifted beneath you. It’s the sort of documentary that goes down easy and fast, with very little bloating and the pleasant aftertaste of something barely ripe.

To put things in perspective, and this I didn’t know, Withers didn’t even pick up a guitar to write songs until his mid-30s. He says in the film, “I had a whole life before I was a musician, and I liked it.”

And here’s Bill.

Coney Island, 1949 (via).

Coney Island, 1949 (via).

I'm not hiding out, I'm just short.

Mostly I can be found these days over here, and I’m not sure how I feel about it.  But that’s where I/the cultural tidal wave of 2010 are, for now.

Hooper St, via Dossier

Hooper St, via Dossier

A silly bit of self-promo: I am the “Jauntsetter of the Week” for the lovely Dorothy McGivney’s weekly travel newsletter. I think the second installment, which covers New Mexico and all of its enchantments and will be posted next week, might be more bang for your buck, but if you want to read my thoughts on chex mix, duck fat, TCBY, and racing for beer, you can do that here.

[Unbearable not to know the answers. Behind those blank faces on the subway, what?]- Dawn Powell, Turn Magic Wheel

slaughterhouse90210:

“I always had the sense with her that she didn’t suffer fools gladly but that life was taking great pains to show her how.”  — Lorrie Moore, A Gate at the Stairs

slaughterhouse90210:

“I always had the sense with her that she didn’t suffer fools gladly but that life was taking great pains to show her how.” 
— Lorrie Moore, A Gate at the Stairs

Sifton!!!

alexbalk:

“HERE now is a new Italian restaurant of the Manhattan old school, built for socialites and those who finance them, staffed by handsome, rakish men with huge wristwatches. It’s the sort of place where in the movie, based on a novel as yet unwritten by Dana Vachon, you might cast Anne Hathaway as the lead and Diane Keaton as her mom. You’re welcome, too. For all this, Casa Lever is a deeply likable restaurant. It’s very New York.”

I kind of feel like S.S. is trying to write the Great American (New Yorker) Novel via his collected columns. Rhapsody in chew. And I sort of love it?

Victoria Hely-Hutchinson
3 of 201
Themed by: Hunson